Making an illustrated book: colour, paper and proofing
Everything photographers, artists and cookbook authors need to know before their book goes anywhere near a press.
- 7:00pm EDT
- Ines Okonjo
Video slot — embed the recording here
About this session
A technical but accessible session on why illustrated books are harder to produce than text books, and what to insist on.
Colour spaces without the jargon, why screens lie about print, coated versus uncoated stock, what a physical proof round actually involves, how many to expect, and how to review a proof properly.
Includes real proof examples showing what went wrong and how it was fixed.
What you will take away
- How to review a physical proof and what to look for
- Choosing paper stock for your specific kind of images
- What resolution your images actually need for print
Ines Okonjo
Art Director
Part of the working team at Winfrey Publishing — sessions are run by people who do the job, not by a marketing department.